A long-running side project where I design a new logo for all 30 NBA teams.
This layout with the hawk perched over the ball was inspired by the 1951 Milwaukee Hawks logo. The Hawks later moved to St. Louis before moving to Atlanta in 1968. I liked the hawk and ATL lettering as secondary logos.
I reimagined the Celtics brand with a more dynamic Lucky the leprechaun, an 80's-inspired minimal green and white color scheme, and other details like a new shamrock and vintage script logo.
This design mixes the minimal New Jersey Nets logo and the 70s ABA style of the New York Nets. I was also inspired by Brooklyn's nickname "The Planet".
The iconic original Hornets logo influenced me to proudly wear a teal Starter jacket in the late 90s. I tried to find a middle ground between that original hornet and the more modernized current brand.
The Bulls are the only NBA franchise to never change their logo. It took a lot of sketches to figure out this direction of combining the bull with typography.
As I learned during this project, a cavalier is some kind of English soldier. This design shows the cavalier in action, inspired on the original 1970 Cavs logo.
"Maverick" is kind of a weird word, is it a cowboy? Is it a horse like the current Mavericks brand? I tried to figure it out, and ended up with a throwback to their 1980s logo, with a goofy cowboy hat and a blue/green color scheme.
The Nuggets use a lot of mountains and pickaxes in their branding. I tried adding more of a mascot character inspired by the miner from their old ABA logo.
This update of the evil looking horse from the 90's Pistons logo was inspired by hood ornaments and cars and whatnot.
This was one of the first teams I did, I kept the Bay Bridge but added a more warriorlike shield.
A mission patch with an astronaut mascot felt right for the Rockets, in their old red and yellow colors.
Some aggressive italic lettering for the speed-inspired Pacers.
Another early one, trying a nautical theme for the Clippers. I'd love to re-do the banner but still like the LA rope lettering.
For the Lakers, another LA monogram inspired by their iconic logo and Hollywood style.
For the Grizzlies I was inspired by the original Vancouver Grizzlies, and some college basketball logos with aggressive animal mascots.
I wanted this fiery Heat logo to feel like it would work as a neon sign.
This Bucks logo was inspired by taxidermy and beer branding but ended up looking more like a Midwest police badge.
Instead of trying to make it look fierce, this simple minimalist pelican embraces the weirdness of the huge mouth.
For the Knicks, a gargoyle inspired by Manhattan architecture.
The Thunder's brand has had a generic look. I tried to add more symbols of Oklahoma with storm clouds and stampeding bison.
This wolf shield is inspired by heraldry, and the standing "rampant" pose means it's ready for battle. The full "Timberwolves" name is simply too long for this.
To represent Philadelphia I tried some negative space in the iconic Liberty Bell shape.
A western scene and pattern for the Suns.
I took it a little too far with the rose ball, but Portland is known as the Rose City and I needed an idea.
The Kings franchise has historically used a crown for their brand, I added a mountain lion for an appropriate local mascot.
For the Spurs, making the simple gemotric shapes of the spinning spur work as a standalone mark was a fun challenge.
For the Raptors I wanted to find a balance between their original cartoony expansion team logo and the more serious graphic minimalism of their current brand. As the only Canadian franchise, the jagged red shape is a nod to the flag, or an upside down raptor claw.
The Jazz brand and Mardi Gras-inspired colors have famously felt out of place in Utah after the team moved from New Orleans. I tried some dynamic typography inspired by jazz festival posters, and combined it with the mountains and warmer colors that represent the Utah landscape.
This is one of the earlier designs that inspired me to keep doing this. While playing with some overlapping Ws this wizard appeared to me. The hands are a reference to the old Bullets logo.
Michael Weinstein
I’m a designer living in Cambridge, MA. I currently work at Blink as a Principal UX Designer, working on user-centered product design, design systems projects, envisioning design, and other UX/UI projects. I also enjoy working on branding, illustration, and graphic design. I’ve worked with clients like NASA, The New York Times, Amazon, HP, and ESPN.
I sometimes do freelance work, email me to talk about a project.